Wednesday, April 16, 2008
Ode to Chicks that Kick
If any of you have seen Almodovar’s All About My Mother, you must be familiar with his extensive use of The Streetcar Named Desire in that film. I didn’t know if it had any direct connections to Almodovar’s storyline but Almodovar did mention how he wanted his film to be a celebration of actresses, hence Streetcar. After watching Streetcar, I definitely agree with him on the strength of these actresses.
Don’t get me wrong. the men were also fantastic. I have yet to see enough to marvel at the “genius” that is Brando, but I think the Academy glossed over him (the sole nominated actor NOT to receive an Oscar) because it was just too hard to understand what he was saying. Maybe it was the dialect, but half of his lines sounded like an ailing automobile whining over its 200,000th mile. Kudos on a strong performance, but perhaps a diction lesson or two from Henry Higgins is in order.
Watching Vivian Leigh, I think it's safe to say that actors just don’t act like that any more. As per one of those ambiguous moments, I had a hard time wondering where they were taking her at the end of the movie (I hope I didn’t spoil that for anyone!), because—I’l just say it—Vivian Leigh is wacko in this movie. A very focused wacko, but I get the feeling that if she were my neighbor, I would be obsessed with spying on her through the blinds, while never actually talking to her face to face, for fear of getting stuck in a long winded conversation about nothing. Either that, or she would most likely mack on me or my younger brother hardcore (again, I hope I didn’t spoil anything for anyone!).
A Streetcar Named Desire: ****1/2
I’m sure if I read the play and return to this film, I will give it a resounding 5 stars.
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